第1章

Itisconsolingasoftenasdismayingtofindinwhatseemsacataclysmaltideofacertaindirectionastrongdrifttotheoppositequarter。Itissodivinable,ifnotsoperceptible,thatitspresencemayusuallyberecognizedasabeginningoftheturnineverytidewhichissure,soonerorlater,tocome。Inreform,itisthemenaceofreaction;inreaction,itisthepromiseofreform;wemaytakeheartaswemustloseheartfromit。Afewyearsago,whenamovementwhichcarriedfictiontothehighestplaceinliteraturewasapparentlyofsuchonwardandupwardsweepthattherecouldbenoreturnordescent,therewasacounter-currentinitwhichstayeditatlast,andpulleditbacktothatlamentablelevel

wherefictionisnowsunk,andtheword\"novel\"isagainthesynonymofallthatismorallyfalseandmentallydespicable。Yetthatthis,too,ispartlyapparent,Ithinkcanbeshownfromsomephasesofactualfictionwhichhappentobeitsverylatestphases,andwhichareofasignificanceashopefulasitisinteresting。Quiteassurelyasromanticismlurkedattheheartofrealism,somethingthatwemaycall\"psychologism\"hasbeenpresentintheromanticismofthelastfourorfiveyears,andhasnowbeguntoevolveitselfinexampleswhichitisthepleasureaswellasthedutyofcriticismtodealwith。

Nooneinhisdayhasdonemoretopopularizetheromanticism,nowdecadent,thanMr。GilbertParker;andhemadewayforitatitsworstjustbecausehewassomuchbetterthanitwasatitsworst,becausehewasapoetofundeniablequality,andbecausehecouldbringtoitsintellectualsqualorthegracesandthepowerswhichcharm,thoughtheycouldnotavailtosaveitfromfinalcontempt。Hesaveshimselfinhislatestnovel,because,thoughstillsolargelyromanticistic,itsprevalenteffectispsychologistic,whichisthefineranalogueofrealistic,andwhichgaverealismwhateverwasvitalinit,asnowitgivesromanticismwhateverwillsurviveit。In\"TheRightofWay\"Mr。

Parkerisnotinaworldwheremeredeterminismrules,wherethereisnothingbutthehappeningofthings,andwherethisoneorthatoneisimportantorunimportantaccordingasthingsarehappeningtohimornot,buthasinhimselfnoclaimuponthereader\'sattention。Oncemorethenovelbeginstorisetoitshigherfunction,andtoteachthatmenaresomehowmastersoftheirfate。HisCharleySteeleis,indeed,asunpromisingmaterialfortheexperiment,incertainways,ascouldwellbechosen。OneofthefewmemorablethingsthatBulwersaid,whosaidsomanyquotablethings,wasthatpureintellectualityisthedevil,andonhisplaneCharleySteelecomesnearbeingpureintellectual。Heapprehendsallthingsfromthemind,anddoestheeffectsevenofgoodnessfromtheprideofmentalstrength。

Addtotheseconditionsofhispersonalitythatpathologicallyheisfromtimetotimeadrunkard,withalwaysthedangerofremainingadrunkard,andyouhaveafigureofwhichsomuchmaybedespairedthatitmightalmostbecalledhopeless。Iconfessthatinthebeginningthisbrilliant,pitilesslawyer,thisconsciencelesslypowerfuladvocate,atoncemockerandposeur,allbutfailedtointerestme。AlittleofhimandhismonoclewentsuchagreatwaywithmethatIthoughtIhadenoughofhimbytheendofthetrial,wherehegetsoffamanchargedwithmurder,andthencruellysnubsthehomicideinhisgratitude;andIdonotquiteknowhowIkeptontothepointwhereSteeleinhisdrunkennessfirstdazzlesandtheninsultsthegangofdrunkenlumbermen,andbeginshissecondlifeintheriverwheretheyhavethrownhim,andwherehisformerclientfindshim。

FromthatpointIcouldnotforsakehimtotheend,thoughI

foundmyselfmorethanonceintheworldwherethingshappenofthemselvesanddonothappenfromthetemperamentsofitsinhabitants。Inabetterandwiserworld,thehomicidewouldnotperhapsbeathandsoopportunelytosavethelifeoftheadvocatewhohadsavedhis;butoneconsentstothis,asoneconsentstoagreatdealbesidesinthestory,whichisimaginablythesurvivalofaformermethod。Theartist\'saffairistoreporttheappearance,theeffect;andintherealworld,theappearance,theeffect,isthatoflawandnotofmiracle。

Natureemploysthemiraclesoverysparinglythatmostofusgothroughlifewithoutseeingone,andsomeofuscontractsuchaprejudiceagainstmiraclesthatwhentheyareperformedforuswesuspectatrick。WhenIsufferedfromthissuspicionin\"TheRightofWay\"IwasthemorevexedbecauseIfeltthatIwasinthehandsofaconnoisseurofcharacterwhohadnoneedofmiracles。

IhavelikedMr。Parker\'streatmentofFrench-Canadianlife,asfarasIhaveknownit;andinthisnovelitisoneoftheprincipalpleasuresforme。Hemaynothavehishabitant,hisseigneurorhiscuredowncold,buthemakesmebelievethathehas,andIcanasknomorethanthatofhim。Inlikemanner,hemakestheambient,physicalaswellassocial,sensiblearoundme:thecoldrivers,thehard,clearskies,thesnowywoodsandfields,thelittlefrozenvillagesofCanada。Inthisbook,whichishistoricalofthepresentratherthanthepast,hegivesonearealizingsenseoftheCanadians,notonlyinthecountrybutinthecity,atleastsofarastheyaffecteachotherpsychologicallyinsociety,andmakesonefeeltheirinterestingtemperamentaldifferencefromAmericans。HisMontrealersarestillEnglishmenintheirstrenuousindividuality;butinthefrankexpressionofcharacter,ofeccentricity,CharleySteeleislikeatypeoflawyerinourWest,ofanepochwhenpeoplewerenotyetcontenttowitnessidealsofthemselves,butwhentheywishedtobetheirpoetryratherthantoreadit。Inhissecondlifehehasthecharmfortheimaginationthatadisembodiedspiritmighthave,ifitcouldbemadeknowntousinthecircumstancesofanotherworld。

Hehas,indeed,madealmostascleanabreakwithhispastasifhehadreallybeendrownedintheriver。When,afterthetermofoblivion,inwhichheknowsnothingofhispastself,heisrestoredtohisidentitybyafamoussurgeontooopportunelyoutofParis,onavisittohisbrother,thecure,theproblemishowheshallexpiatetheerrorsofhispast,workouthisredemptioninhisnewlife;andtheauthorsolvesitforhimbyappointinghimtoalifeofunselfishlabor,illuminedbyactionsofpositivebeneficence。ItissomethinglikethesolutionwhichGoetheimaginesforFaust,andperhapsnootherisimaginable。Incontrivingit,Mr。Parkerindulgestheweakerbrethrenwithanabundanceofaccidentandaluxuryofcatastrophe,whichthereaderinterestedinthepsychologyofthestorymaytakeaslittleaccountofashelikes。Withoutsomuchofthemhemighthavemadeasculpturesqueromanceasclearlyandnoblydefiniteas\"TheScarletLetter\";withthemhehasmadeamostpicturesqueromanticnovel。Hiswork,asIbeganbysaying,orhinting,istheworkofapoet,inconception,andIwishthatinsomedetailsofdictionitwereaselectastheauthor\'sverseis。

Butonemustnotexpecteverything;andinwhatitis,\"TheRightofWay\"satisfiesareasonabledemandonthesideofliterature,whileitmorethanmeetsareasonableexpectationonthesideofpsychologicalinterest。Distinctlyitmarksanepochincontemporarynoveling,andmountsfarabovetheaveragebesttowardthedayofbetterthingswhichIhopeitisnotrashtoimagedawning。

II。

IamsureIdonotmerelyfancytheaurorallightinagroupofstoriesbyanotherpoet。\"TheRulingPassion,\"Dr。HenryVanDykecallshisbook,whichrelatesitselfbyadoubletietoMr。

Parker\'snovelthroughkinshipofCanadianlandscapeandcharacter,andthroughtheprevalenceofpsychologismoverdeterminisminit。Inthesituationsandincidentsstudiedwithsentimentthatsavesitselffromsentimentalitysometimeswithgreaterandsometimeswithlessease,butsavesitself,theappealisfromthesoulinthecharactertothesoulinthereader,andnotfrombruteeventtohissensation。IbelievethatIlikebestamongthesecharmingthingsthetwosketches——theyarehardlystories——\"AYearofNobility\"and\"TheKeeperoftheDight,\"thoughifIwereaskedtosaywhy,Ishouldbepuzzled。PerhapsitisbecauseIfindinthetwopiecesnamedagreaterdetachmentthanIfindinsomeothersofDr。VanDyke\'sdelightfulvolume,andgreaterevidencethathehashimselfsothoroughlyandfinallymasteredhismaterialthatheisnolongerindangerofbeingundulyaffectedbyit。Thatisadangerwhichinhisveryqualityoflyricalpoetheismostliableto,forheisaboveallalyricalpoet,andsuchdramaasthechorususuallycommentsisthedramanexthisheart。Thepieces,infact,aresomanyidyls,andtheirrealismisaneffectwhichhehasfeltratherthanreasonedhiswayto。

Itisimplicationalratherthanintentional。Itisnonetheworsebutallthebetteronthataccount,andIcannotsaythatthepsychologismistheworseforbeingfrankly,howeveruninsistently,moralized。Ahumor,delicateandgenuineasthepoetryofthestories,playsthroughthem,andthemildemachtofsympathywitheverythinghumantransferstothepleasantpagestheforestersandfishermenfromtheirnativewoodsandwaters。Canadaseemsthehomeofprimitivecharacter;theseventeenthcenturysurvivesthereamongthehabitants,withtheirsteadfastfaith,theirpicturesquesuperstitions,theiroldworldtraditionsandtheirnewworldcustoms。Itisthelandnotonlyofthehabitant,butofhisoversoul,thegoodcure,andhisoverlordtheseigneur,nowfadedeconomically,butstilllingeringsociallyinthesceneofhislargepossessions。Theirpersonalityimpartsacharmtothemanybooksaboutthemwhichatpresentthereseemstobenoendtothemakingof;andsuchafinetouchasDr。VanDyke\'sgivesusalikenessofthem,whichifitisidealizedisidealizedbyreservation,notbyattribution。

III。

Mr。WilliamAllenWhite\'smethodisthereverseofDr。VanDyke\'s。Ifhehasheldhishandanywherethereaderdoesnotsuspectit,foritseems,withitsrelentlesspowerofrealization,tobelaiduponthewholepoliticallifeofKansas,whichitkeepsinaclutchsopenetrating,socomprehensive,thatthereaderdoesnotquitefeelhisownvitalsfreefromit。Verylikely,itdoesnotgraspthewholesituation;afterall,itisapicture,notamap,thatMr。Whitehasbeenmaking,andthephotographitself,thoughitmayinclude,doesnotrepresenteverything。Someyearsagotherewasasillyattempttoreproachthetruepaintersofmannersbycallingthemphotographic,butI

doubtifeventhenMr。Whitewouldhavemindedanysuchcensureofhisconscientiouswork,andIamsurethatnowhewouldcountithonor。Hecannotbetheadmirableartistheiswithoutknowingthatitistheinwardnessaswellastheoutwardnessofmenthathephotographs,andifthereaderdoesnotknowit,theworseforthereader。Heisnotthesortofreaderwhowillrisefromthisbookhumiliatedandfortified,asanyreaderworthyofitwill。

Theauthorhasputhisbestfootforwardintheopeningstory,\"TheManonHorseback,\"which,whenIreaditafewyearsagointhemagazinewhereitfirstappeared,seemedtomesoperfectinitswaythatIshouldnothaveknownhowtobetterit。Ofcourse,thisisagooddealforacritictosay;itissomethinglikeabdicatinghisoffice;butIrepeatit。Ittakesrathermorecourageforamantobehonestinfictionthanoutofit,forpeopledonotmuchexpectitofhim,oraltogetherlikeitinhim;butin\"TheManonHorseback\"Mr。Whiteisateverymomenthonest。Heishonest,ifnotsoimpressivelyhonest,intheotherstories,\"AVictoryforthePeople,\"\"ATriumph\'sEvidence,\"\"TheMercyofDeath,\"and\"AMostLamentableComedy;\"

andwherehefailsofperfectjusticetohismaterial,Ithinkitisbecauseofhisunconsciouspoliticalbias,ratherthananythingwilfuller。

Inthestorylastnamedthisbetraysitselfinhistreatmentofatypeofmanwhocouldnotbefaithfultoanysortofmovement,andwhoseunfaithfulnessdoesnotnecessarilycensurethemovementMr。Whitedislikes。WonderfullygoodastheportraitofDanGreggis,itwantsthefinaltouchwhichcouldhavecomeonlyfromalittlekindness。Hisstorymighthavebeencalled\"TheManonFoot,\"bythesortofantithesiswhichIshouldnotblameMr。Whiteforscorning,andI

shouldnotsayanythingofitworsethanthatitispitilesslyhard,whichthestoryof\"TheManonHorseback\"isnot,oranyoftheotherstories。Sentimentalityofanykindisalientotheauthor\'snature,butnottenderness,especiallythatsparingsortwhichgiveshislifetothemanwhoisdown。

MostofthemenwhomMr。Whitedealswitharedown,asmostmeninthestruggleoflifeare。Fewofuscanbeontopmorally,almostasfewascanbeontopmaterially;andprobablynothingwillmoresurprisethesaintsatthejudgmentdaythantofindthemselvesinsuchasmallminority。Butprobablynotthesaintsalonewillbesaved,anditissomesuchhopethatMr。Whitehasconstantlyinmindwhenmakinghisconstantappealtoconscience。

Itis,ofcourse,adramatic,notadidacticappeal。HepreachessolittleandissoeffectivelyreticentthatIcouldalmostwithhehadleftouttheprefaceofhisbook,goodasitis。Yes,justbecauseitissogoodIcouldwishhehadleftitout。Itisaperfectjustificationofhispurposeandmethods,buttheyaretheirownjustificationwithallwhocanthinkaboutthem,andtheothersarethemselvesnotworththinkingabout。Thestoriesaresobravelyfaithfultohumannatureinthatpoliticalaspectwhichisbutonephaseofourwholeaveragelifethattheyaremagnificentlyaboveallneedofexcusingordefending。Theyformasubstantialbodyofpoliticalfiction,suchaswehavesolongsighedfor,andsuchassomeofuswillstillgoonsighingforquiteasifithadnotbeensupplied。Someotherswillbeawarethatithasbeensuppliedinaformasartisticallyfineasthematerialitselfiscoarseandcommon,ifindeedanysortofhumanityiscoarseandcommonexcepttothosewhothemselvesareso。

Themeaningthatanimatesthestoriesisthatourpoliticalopportunityistrammelledonlysofaraswehavetrammelleditbyourgreedandfalsehood;andinthisaspectthepsychologyofMr。

WhiteoffersthestrongestcontrasttothatofthelatestRussianmasterinfiction。MaximGorky\'swhollyhopelessstudyofdegeneracyinthelifeof\"FomaGordyeeff\"accusesconditionswhichwecanonlyimaginewithdifficulty。AsoneadvancesthroughthemoralwasteofthatstrangebookoneslowlyperceivesthatheisinalandofNoUse,inanambientofsuchironfixityandinexorableboundsthatperhapsFoma\'swillingnesstorotthroughviceintoimbecilityisaswiseasanythingelsethere。

Itisabookthatsaturatesthesoulwithdespair,andblightsitwiththenegationwhichseemstheonlypossibletruthinthecircumstances;sothatonequestionswhethertheRussianinwhichTurgenieffandTolstoy,andevenDostoyevsky,couldanimatethevolitionandtheexpectationofbetterthingshasnotsunktodepthsbeyondanycounselofamelioration。TocomeupoutofthatBottomlessPitintothemeasurelessairofMr。White\'sKansasplainsislikewakingfromdeathtolife。Wearestillamongdreadfullyfalliblehumanbeings,butwearenolongeramongthedamned;withtheworstthereisapurgatorialpossibilityofParadise。EventheperditionofDanGreggthenseemsnottheworstthatcouldbefallhim;hemightagainhavebeengovernor。

IV。

IfthehumanbeingsinDr。WeirMitchell\'sveryinterestingnovelof\"Circumstance\"donotseemsohumanasthoseRussiansofGorkyandthoseKansansofMr。White,itisbecausepeopleinsocietyarealwayshumanwithdifficulty,andhisPhiladelphiansaremostlyinsociety。Theyarealmostreproachfullyexemplary,insomeinstances;anditiswhentheygivewaytothenaturalman,andespeciallythenaturalwoman,thattheyareconsolingandedifying。WhenMaryFairthornebeginstoscoldhercousin,KittyMorrow,atthepartywhereshefindsKittywearingherdeadmother\'spearls,andeventakesholdofherinawaythatmakesthereaderhopesheisgoingtoshakeher,sheisdelightful;andwhenKittycomplainsthatMaryhas\"pinched\"her,sheisadorable。Oneisreallyinlovewithherforthemoment;andinthatmomentofnaturethethickairofgoodsocietyseemstoblowawayandletonebreathefreely。Thebadpeopleinthebookarebetterthanthegoodpeople,andthegoodpeoplearebestintheirworsttempers。Theyaresoexclusivelywellbornandwellbredthatthefitnessofthemedicalstudent,Blount,fortheirsocietycanbeascertainedonlybyhisreferencetoaNewEnglandancestryofthehighantiquitythatcanexcuseevendubiouscuffsandfinger-nailsinadescendantofgoodprinciplesandgenerousinstincts。

ThepsychologicalproblemstudiedinthebookwithsuchartisticfinenessandscientificthoroughnessispersonallyacertainMrs。

Hunter,whomanagesthroughtheweak-mindedandselfishKittyMorrowtoworkherwaytoauthorityinthehouseholdofKitty\'suncle,whereshedisplacesMaryFairthorne,andmakestheplaceodioustoallthekithandkinofKitty。Intellectually,sheisacleverwoman,orrather,sheisawomanofgreatcunningthatrisesattimestosagacity;butsheislimitedbyabadheartandanabsenceofconscience。Sheisbolduptoapoint,andthensheistimid;shewillgotolengths,butnottoalllengths;andwhenitcomestopoisoningFairthornetokeephimfromchanginghismindaboutthebequesthehasmadeher,shehasnotquitethecourageofherconvictions。Shehesitatesanddoesnotdoit,anditisinthispointshebecomessoaestheticallysuccessful。

Theguiltoftheuncommittedcrimesismoreimportantthantheguiltofthosewhichhavebeencommitted;andtheauthordoesagoodthingmorallyaswellasartisticallyinleavingMrs。Hunterstillsomethingofaproblemtohisreader。Inmostthingssheisalmosttooplainacase;sheissly,andvulgar,anddepravedandcruel;sheisallthatamurderessshouldbe;but,inhesitatingatmurder,shebecomesandremainsamystery,andthereaderdoesnotgetridofherashewouldifshehadreallydonethedeed。Intheinferiorexigenciesshestrikesfearlessly;andwhenthemanwhohasdivorcedherloomsupinherhorizonwithdoominhispresence,shegoesandmakeslovetohim。Sheisnotthelesssuccessfulbecauseshedisgustshim;heagreestoletheralonesolongasshedoesnomischief;shehas,atleast,madehimunwillingtofeelhimselfherpersecutor,andthatisenoughforher。

Mrs。Hunterisastudyofextremeinterestindegeneracy,butI

amnotsurethatKittyMorrowisnotararercontributiontoknowledge。Ofcourse,thatsortofselfishgirlhasalwaysbeenknown,butshehasnotmettheopenrecognitionwhichconstitutesknowledge,andsoshehasthepreciousnessofafind。Sheisatoncetiresomeandvivacious;sheiscold-heartedbutnotcold-blooded,andwhensheletsherselfgoinanoutburstofpassionforthecelibateyoungritualist,Knellwood,shebecomesfascinating。Shedoesnotletherselfgowithouthavingassuredherselfthathelovesher,andsomehowoneisnotshockedathermakinglovetohim;oneevenwishesthatshehadwonhim。Iamnotsurebutthecasewouldhavebeenalittletruerifshehadwonhim,butasitisIamrichlycontentwithit。PerhapsIamthemorecontentbecauseinthecaseofKittyMorrowIfindaconcessiontorealitymoreentirethanthecaseofMrs。Hunter。

Sheisoftheheredityfromwhichyouwouldexpectherdepravity;

butKittyMorrow,wholetsherselfgosorecklessly,is,foralloneknows,aswellbornandaswellbredasthoseotherPhiladelphians。Inmyadmirationofher,asaworkofart,however,ImustnotfailofjusticetothehigherbeautyofMaryFairthorne\'scharacter。Sheisreallyagoodgirl,andsavedfromtheunrealitywhichalwaysthreatensgoodnessinfictionbythoselimitationsoftemperwhichIhavealreadyhinted。