第1章

PedroCalderondelaBarcawasborninMadrid,January17,1600,ofgoodfamily。HewaseducatedattheJesuitCollegeinMadridandattheUniversityofSalamanca;andadoubtfultraditionsaysthathebegantowriteplaysattheageofthirteen。Hisliteraryactivitywasinterruptedfortenyears,1625—1635,bymilitaryserviceinItalyandtheLowCountries,andagainforayearormoreinCatalonia。In1637

hebecameaKnightoftheOrderofSantiago,andin1651heenteredthepriesthood,risingtothedignityofSuperioroftheBrotherhoodofSanPedroinMadrid。HeheldvariousofficesinthecourtofPhilipIV,whorewardedhisserviceswithpensions,andhadhisplaysproducedwithgreatsplendor。HediedMay5,1681。

AtthetimewhenCalderonbegantocomposeforthestage,theSpanishdramawasatitsheight。LopedeVega,themostprolificand,withCalderon,thegreatest,ofSpanishdramatists,wasstillalive;andbyhisapplausegaveencouragementtothebeginnerwhosefamewastorivalhisown。ThenationaltypeofdramawhichLopehadestablishedwasmaintainedinitsessentialcharacteristicsbyCalderon,andheproducedabundantspecimensofallitsvarieties。Ofregularplayshehasleftahundredandtwenty;of\"AutosSacramentales,\"thepeculiarSpanishallegoricaldevelopmentofthemedievalmystery,wehaveseventy—three;besidesaconsiderablenumberoffarces。

ThedominantmotivesinCalderon\'sdramasarecharacteristicallynational:fervidloyaltytoChurchandKing,andasenseofhonorheightenedalmosttothepointofthefantastic。Thoughhisplaysarelaidinagreatvarietyofscenesandages,thesentimentandthecharactersremainessentiallySpanish;andthisintenselylocalqualityhasprobablylessenedthevogueofCalderoninothercountries。Intheconstructionandconductofhisplotsheshowedgreatskill,yettheingenuityexpendedinthemanagementofthestorydidnotrestrainthefieryemotionandopulentimaginationwhichmarkhisfinestspeechesandgivethemalyricqualitywhichsomecriticsregardashisgreatestdistinction。

OfallCalderon\'sworks,\"LifeisaDream\"mayberegardedasthemostuniversalinitstheme。Itseekstoteachalessonthatmaybelearnedfromthephilosophersandreligiousthinkersofmanyages——thattheworldofoursensesisamereshadow,andthattheonlyrealityistobefoundintheinvisibleandeternal。ThestorywhichformsitsbasisisOrientalinorigin,andintheformofthelegendof\"BarlaamandJosaphat\"wasfamiliarinalltheliteraturesoftheMiddleAges。

CombinedwiththisintheplotisthetaleofAbouHassanfromthe\"ArabianNights,\"themainsituationsinwhichareturnedtofarcicalpurposesintheInductiontotheShakespearean\"TamingoftheShrew。\"

ButwithCalderonthethemeisliftedaltogetheroutoftheatmosphereofcomedy,andisworkedupwithpoeticsentimentandatouchofmysticismintoasymbolicdramaofprofoundanduniversalphilosophicalsignificance。

LIFEISADREAM

DRAMATISPERSONAE

BasilioKingofPoland。

SegismundhisSon。

AstolfohisNephew。

EstrellahisNiece。

ClotaldoaGeneralinBasilio\'sService。

RosauraaMuscoviteLady。

FifeherAttendant。

Chamberlain,LordsinWaiting,Officers,Soldiers,etc。,inBasilio\'sService。

TheSceneofthefirstandthirdActsliesonthePolishfrontier:ofthesecondAct,inWarsaw。

AsthisversionofCalderon\'sdramaisnotforacting,ahigherandwidermountain—scenethanpracticablemaybeimaginedforRosaura\'sdescentinthefirstActandthesoldiers\'ascentinthelast。Thebadwatchkeptbythesentinelswhoguardedtheirstate—prisoner,togetherwithmuchelse(notall!)thatdefiessobersenseinthiswilddrama,ImustleaveCalderontoanswerfor;whoseaudiencewerenotcriticalofdetailandprobability,solongasagoodstory,withstrong,rapid,andpicturesqueactionandsituation,wassetbeforethem。

ACTI

SCENEI——Apassofrocks,overwhichastormisrollingaway,andthesunsetting:intheforeground,half—waydown,afortress。

(EnterfirstfromthetopmostrockRosaura,asfromhorseback,inman\'sattire;and,afterher,Fife。)

ROSAURA。

There,four—footedFury,blastEngender\'dbrute,withoutthewitOfbrute,ormouthtomatchthebitOfman——artsatisfiedatlast?

Who,whenthunderroll\'daloof,Tow\'rdthespheresoffireyourearsPricking,andthegranitekickingIntolightningwithyourhoof,Amongthetempest—shatter\'dcragsShatteringyourlucklessriderBackintothetempestpass\'d?

Therethenlietostarveanddie,OrfindanotherPhaetonMad—mettledasyourself;forI,Wearied,worried,andfor—done,Alonewilldownthemountaintry,Thatknitshisbrowsagainstthesun。

FIFE(astohismule)。

There,thoumis—begottenthing,Long—ear\'dlightning,tail\'dtornado,Griffin—hoof—inhurricano,(ImightsweartillIwerealmostHoarsewithroaringAsonante)

WhoforsoothbecauseourbettersWouldbegintokickandflingYouforthwithyournoblemindMustprove,andkickmeoffbehind,Tow\'rdtheverycentrewhitherGravitywasmostinclined。

TherewhereyouhavemadeyourbedInitlie;for,wetordry,Letwhatwillformebetideyou,Burning,blowing,freezing,hailing;

Faminewasteyou:devilrideyou:

Tempestbasteyoublackandblue:

(ToRosaura。)

There!IthinkindownrightrailingIcanholdmyownwithyou。

ROS。

Ah,mygoodFife,whosemerryloyalpipe,Comeweal,comewoe,isneveroutoftuneWhat,youinthesameplighttoo?

FIFE。

Ay;Andmadam——sir——herebydesire,WhenyouyourownadventuressingAnothertimeinloftyrhyme,Youdon\'tforgetthetrustysquireWhowentwithyouDon—quixoting。

ROS。

Well,mygoodfellow——toleavePegasusWhoscarcecanserveusthanourhorsesworse——

TheysaynooneshouldrobanotherofThesinglesatisfactionhehasleftOfsinginghisownsorrows;onesogreat,Sosayssomegreatphilosopher,thattroubleWereworthencount\'ringonlyforthesakeOfweepingover——whatperhapsyouknowSomepoetcallsthe\'luxuryofwoe。\'

FIFE。

HadIthepoetorphilosopherIntheplaceofherthatkick\'dmeofftoride,I\'dtesthistheoryuponhishide。

Butnobonesbroken,madam——sir,Imean?——

ROS。

Ascratchherethatahandkerchiefwillheal——

Andyou?——

FIFE。

Ascratchin/quiddity/,orkind:

Butnotin\'/quo/\'——mywoundsareallbehind。

But,asyousay,tostopthisstrain,Which,somehow,onceone\'sinthevein,Comesclatteringafter——thereagain!——

Whatarewetwain——deucetake\'t!——wetwo,Imean,todo——drench\'dthroughandthrough——

Oh,Ishallchokeofrhymes,whichIbelieveAreallthatweshallhavetoliveonhere。

ROS。

What,isourvictualgonetoo?——

FIFE。

Ay,thatbruteHascarriedallwehadawaywithher,Clothing,andcate,andall。

ROS。

Andnowthesun,Ouronlyfriendandguide,abouttosinkUnderthestageofearth。

FIFE。

AndenterNight,WithCapayEspada——and——prayheaven!

Withbutherlanthornalso。

ROS。

Ah,IdoubtTo—night,ifany,withadarkone——orAlmostburntoutafteramonth\'sconsumption。

Well!wellorill,onhorsebackorafoot,ThisisthegatethatletsmeintoPoland;

And,sorrywelcomeasshegivesaguestWhowriteshisownarrivalonherrocksInhisownblood——

Yetbetteronherstonythresholddie,ThanliveonunrevengedinMuscovy。