第1章

INTRODUCTION

Totheirreverent——andwhichofuswillclaimentireexemptionfromthatcomfortableclassification?——thereissomethingveryamusingintheattitudeoftheorthodoxcriticismtowardBernardShaw。Hesoobviouslydisregardsallthecanonsandunitiesandotherthingswhicheverywell-breddramatistisboundtorespectthathisworkisreallyunworthyofseriouscriticism(orthodox)。Indeedheknowsnomoreaboutthedramaticartthan,accordingtohisownstoryin\"TheManofDestiny,\"

NapoleonatTavazzanoknewoftheArtofWar。Butbothmenweresuccesseseachinhisway——thelatterwonvictoriesandtheformergainedaudiences,intheveryteethoftheacceptedtheoriesofwarandthetheatre。Shawdoesnotknowthatitisunpardonablesintohavehischaractersmakelongspeechesatoneanother,apparentlythinkingthatthisembargoappliesonlytolongspeecheswhichconsistmainlyofbombastandrhetoric。Thereneverwasanauthorwhoshowedlesspredilectionforaspecificmediumbywhichtoaccomplishhisresults。

Herecognized,earlyinhisdays,manythingsawryintheworldandheassumedthetaskofmundanereformationwithaconfidentspirit。Itseemssuchasmalljobattwentytosetthetimesaright。HebeganasanEssayist,butwhoreadsessaysnow-a-days?——hethenturnednovelistwithnobettersuccess,fornoonewouldreadsuchpreposterousstuffashechosetoemit。Heonlysucceededinprovingthatabsolutelyrationalmenandwomen——althoughhehascreatedfewofthelatter——canbemostextremelydisagreeabletoourconventionalwayofthinking。

Asalastresort,heturnedtothestage,notthathecaredforthedramaticart,fornomanseemstocarelessabout\"ArtforArt’ssake,\"

beinginthisaperfectfoiltohisbrilliantcompatriotandcontemporary,Wilde。Hecasthistheoriesindramaticformsmerelybecausenoothercourseexceptsilenceorphysicalrevoltwasopentohim。Foralongtimeitseemedasifthisresourcetoowasdoomedtofailhim。Butfinallyhehasattainedahearingandnowattemptsatsuppressionmerelyservetoadvertisetheirvictim。

ItwillrepaythosewhoseekanalogiesinliteraturetocompareShawwithCervantes。Afteralifeofheroicendeavor,disappointment,slavery,andpoverty,theauthorof\"DonQuixote\"gavetheworldaseriousworkwhichcausedtobelaughedofftheworld’sstageforeverthefinalvestigesofdecadentchivalry。

Theinstitutionhadlongbeenoutgrown,butitsvernacularcontinuedtobethespeechandtoexpressthethought\"oftheworldandamongthevulgar,\"asthequaint,oldnovelistputsit,justasto-daythenovelintendedfortheconsumptionoftheunenlightenedmustdealwithpeersandmillionairesandbedressedinstiltedlanguage。Marvellouslyhesucceeded,butinawayheleastintended。Wehavenotyet,aftersomanyyears,determinedwhetheritisaworktolaughorcryover。\"Itisourjoyfullestmodernbook,\"saysCarlyle,whileLandorthinksthat\"readerswhoseenothingmorethanaburlesquein’DonQuixote’havebutshallowappreciationofthework。\"

Shawinlikemannercomesuponthescenewhenmanyofoursocialusagesareoutworn。Heseesthefact,announcesit,andweburstintoguffaws。

ThecontinuouslaughterwhichgreetsShaw’splaysarisesfromarealcontrastinthepointofviewofthedramatistandhisaudiences。WhenPineroorJonesdescribesawhimsicalsituationweneverdoubtforamomentthattheauthor’spointofviewisourownandthattheabnormalpredicamentofhischaractersappealstohiminthesamelightastohisaudience。WithShawthissenseofcommunityoffeelingiswhollylacking。Hedescribesthingsasheseesthem,andthehouseisinaroar。Whoisright?Ifwewerereallyusingourownsensesandnotgazingthroughtheglassesofconventionandromanceandmake-believe,shouldweseethingsasShawdoes?

MustitnotcauseShawtodoubthisownorthepublic’ssanitytohearaudienceslaughingboisterouslyovertragicsituations?Andyet,iftheydidnotcometolaugh,theywouldnotcomeatall。Mockeryisthepricehemustpayforahearing。Orhashecalculatedtoanicetythepowerofreaction?Doesheseektodriveustoaspirationbytheportrayalofsordidness,todisinterestednessbythepictureofselfishness,toillusionbydisillusionment?Itisimpossibletobelievethatheisunconsciousofthehumorofhisdramaticsituations,yethestoicallygivesnosign。Heevendaresthecharge,terribleinproportiontoitstruth,whichthemostseriousofusshrinksfrom——thelackofasenseofhumor。Menwouldratherhavetheirintegrityimpugned。

In\"ArmsandtheMan\"thesubjectwhichoccupiesthedramatist’sattentionisthatsurvivalofbarbarity——militarism——whichraisesitshorridheadfromtimetotimetocastadoubtontherealityofourcivilization。Nomorehoarysuperstitionsurvivesthanthatthedonningofauniformchangesthenatureofthewearer。Thisnotionpervadessocietytosuchanextentthatwhenwefindsomesoldiersplaceduponthestageactingrationally,ourconventionalizedsensesareshocked。

Theonlymenwhohavenoillusionsaboutwararethosewhohaverecentlybeenthere,and,ofcourse,Mr。Shaw,whohasnoillusionsaboutanything。

Itishardtospeaktoohighlyof\"Candida。\"NoequallysubtleandincisivestudyofdomesticrelationsexistsintheEnglishdrama。OnehastoturntoGeorgeMeredith’s\"TheEgoist\"tofindsuchcharacterdissection。Thecentralnoteoftheplayis,thatwiththetruewoman,weaknesswhichappealstothematernalinstinctismorepowerfulthanstrengthwhichoffersprotection。Candidaisquiteunpoetic,as,indeed,withrareexceptions,womenarepronetobe。Theyhavesmalldelightinpoetry,butarethestuffofwhichpoemsanddreamsaremade。Thehusbandgloryinginhisstrengthbutconvictedofhisweakness,thepoetpitifulinhisphysicalimpotencebutstronginhisperceptionoftruth,thehopelesslyde-moralizedmanufacturer,theconventionalandhenceemotionaltypistmakeupagroupwhichthedramaofanylanguagemaybechallengedtorival。

In\"TheManofDestiny\"theobjectofthedramatistisnotsomuchthedestructionastheexplanationoftheNapoleonictradition,whichhassopowerfullyinfluencedgenerationaftergenerationforacentury。Howeverthemanmayberegarded,hewasamiracle。Shawshowsthatheachievedhisextraordinarycareerbysuspending,forhimself,thepressureofthemoralandconventionalatmosphere,whileleavingitoperativeforothers。Thosewhostudythisplay——extravaganza,thatitis——willattainaclearercomprehensionofNapoleonthantheycangetfromallthebiographies。

\"YouNeverCanTell\"offersanamusingstudyoftheplayofsocialconventions。The\"twins\"illustratethedisconcertingeffectsofthatperfectfranknesswhichwouldmakelifeintolerable。Gloriademonstratesthepowerlessnessofreasontoovercomenaturalinstincts。Theideathatparentaldutiesandfunctionscanbefulfilledbythelightofsuchknowledgeasmanandwomanattainbyintuitionisbrilliantlylampooned。

Crampton,thefather,typifiesthecommonsuperstitionthatamongtheprivilegesofparenthoodareinflexibility,tyranny,andrespect,thelastentirelyregardlessofwhetherithasbeendeserved。

Thewaiter,William,isthebestillustrationoftheman\"whoknowshisplace\"thatthestagehasseen。Heisthemostpatheticfigureoftheplay。Onetouchofverisimilitudeislacking;noneoftheguestsgiveshimatip,yethemaintainshisurbanity。AsMr。ShawhasnotyetvisitedAmericahemaybeunawareoftheimprobabilityofthissituation。

Tothosewhoregardliterarymenmerelyaspurveyorsofamusementforpeoplewhohavenotwitenoughtoentertainthemselves,IbsenandShaw,MaeterlinckandGorkymustremainenigmas。Itissomuchpleasantertoignorethantofaceunpleasantrealities——totakeRiversideDriveandnotMulberryStreetastheexponentofourlifeandtheexpressionofourcivilization。Thesemenarethesappersandminersoftheadvancingarmyofjustice。Theaudiencewhichdemandsthetruthanddespisesthecontemptibleconventionsthatdominatealikeourstageandourlifeisdailygrowing。Shawandmenlikehim——ifindeedheisnotabsolutelyunique——willnotforthefuturelackahearing。

M。

ARMSANDTHEMAN

ACTI

Night。Alady’sbedchamberinBulgaria,inasmalltownneartheDragomanPass。ItislateinNovemberintheyear1885,andthroughanopenwindowwithalittlebalconyontheleftcanbeseenapeakoftheBalkans,wonderfullywhiteandbeautifulinthestarlitsnow。TheinterioroftheroomisnotlikeanythingtobeseenintheeastofEurope。ItishalfrichBulgarian,halfcheapViennese。Thecounterpaneandhangingsofthebed,thewindowcurtains,thelittlecarpet,andalltheornamentaltextilefabricsintheroomareorientalandgorgeous:thepaperonthewallsisoccidentalandpaltry。Abovetheheadofthebed,whichstandsagainstalittlewallcuttingofftherighthandcorneroftheroomdiagonally,isapaintedwoodenshrine,blueandgold,withanivoryimageofChrist,andalighthangingbeforeitinapiercedmetalballsuspendedbythreechains。Ontheleft,furtherforward,isanottoman。Thewashstand,againstthewallontheleft,consistsofanenamelledironbasinwithapailbeneathitinapaintedmetalframe,andasingletowelontherailattheside。AchairnearitisAustrianbentwood,withcaneseat。Thedressingtable,betweenthebedandthewindow,isanordinarypinetable,coveredwithaclothofmanycolors,butwithanexpensivetoiletmirroronit。Thedoorisontheright;andthereisachestofdrawersbetweenthedoorandthebed。

Thischestofdrawersisalsocoveredbyavariegatednativecloth,andonitthereisapileofpaperbackednovels,aboxofchocolatecreams,andaminiatureeasel,onwhichisalargephotographofanextremelyhandsomeofficer,whoseloftybearingandmagneticglancecanbefeltevenfromtheportrait。Theroomislightedbyacandleonthechestofdrawers,andanotheronthedressingtable,withaboxofmatchesbesideit。

Thewindowishingeddoorwiseandstandswideopen,foldingbacktotheleft。Outsideapairofwoodenshutters,openingoutwards,alsostandopen。Onthebalcony,ayounglady,intenselyconsciousoftheromanticbeautyofthenight,andofthefactthatherownyouthandbeautyisapartofit,isonthebalcony,gazingatthesnowyBalkans。Sheiscoveredbyalongmantleoffurs,worth,onamoderateestimate,aboutthreetimesthefurnitureofherroom。

Herreverieisinterruptedbyhermother,CatherinePetkoff,awomanoverforty,imperiouslyenergetic,withmagnificentblackhairandeyes,whomightbeaverysplendidspecimenofthewifeofamountainfarmer,butisdeterminedtobeaVienneselady,andtothatendwearsafashionableteagownonalloccasions。

CATHERINE(enteringhastily,fullofgoodnews)。Raina——(shepronouncesitRah-eena,withthestressontheee)Raina——(shegoestothebed,expectingtofindRainathere。)Why,where——(Rainalooksintotheroom。)Heavens!child,areyououtinthenightairinsteadofinyourbed?You’llcatchyourdeath。Loukatoldmeyouwereasleep。

RAINA(comingin)。Isentheraway。Iwantedtobealone。Thestarsaresobeautiful!Whatisthematter?

CATHERINE。Suchnews。Therehasbeenabattle!

RAINA(hereyesdilating)。Ah!(Shethrowsthecloakontheottoman,andcomeseagerlytoCatherineinhernightgown,aprettygarment,butevidentlytheonlyoneshehason。)

CATHERINE。AgreatbattleatSlivnitza!Avictory!AnditwaswonbySergius。

RAINA(withacryofdelight)。Ah!(Rapturously。)Oh,mother!

(Then,withsuddenanxiety)Isfathersafe?

CATHERINE。Ofcourse:hesentmethenews。Sergiusistheheroofthehour,theidoloftheregiment。

RAINA。Tellme,tellme。Howwasit!(Ecstatically)Oh,mother,mother,mother!(Rainapullshermotherdownontheottoman;andtheykissoneanotherfrantically。)

CATHERINE(withsurgingenthusiasm)。Youcan’tguesshowsplendiditis。Acavalrycharge——thinkofthat!HedefiedourRussiancommanders——actedwithoutorders——ledachargeonhisownresponsibility——headedithimself——wasthefirstmantosweepthroughtheirguns。Can’tyouseeit,Raina;ourgallantsplendidBulgarianswiththeirswordsandeyesflashing,thunderingdownlikeanavalancheandscatteringthewretchedServiandandieslikechaff。Andyou——youkeptSergiuswaitingayearbeforeyouwouldbebetrothedtohim。Oh,ifyouhaveadropofBulgarianbloodinyourveins,youwillworshiphimwhenhecomesback。

RAINA。Whatwillhecareformypoorlittleworshipaftertheacclamationsofawholearmyofheroes?Butnomatter:Iamsohappy——soproud!(Sherisesandwalksaboutexcitedly。)Itprovesthatallourideaswererealafterall。

CATHERINE(indignantly)。Ourideasreal!Whatdoyoumean?

RAINA。OurideasofwhatSergiuswoulddo——ourpatriotism——ourheroicideals。Oh,whatfaithlesslittlecreaturesgirlsare!——I

sometimesusedtodoubtwhethertheywereanythingbutdreams。

WhenIbuckledonSergius’sswordhelookedsonoble:itwastreasontothinkofdisillusionorhumiliationorfailure。Andyet——andyet——(Quickly。)Promisemeyou’llnevertellhim。

CATHERINE。Don’taskmeforpromisesuntilIknowwhatIampromising。

RAINA。Well,itcameintomyheadjustashewasholdingmeinhisarmsandlookingintomyeyes,thatperhapsweonlyhadourheroicideasbecausewearesofondofreadingByronandPushkin,andbecauseweweresodelightedwiththeoperathatseasonatBucharest。Reallifeissoseldomlikethat——indeednever,asfarasIknewitthen。(Remorsefully。)Onlythink,mother,Idoubtedhim:Iwonderedwhetherallhisheroicqualitiesandhissoldiershipmightnotprovemereimaginationwhenhewentintoarealbattle。IhadanuneasyfearthathemightcutapoorfiguretherebesideallthosecleverRussianofficers。

CATHERINE。Apoorfigure!Shameonyou!TheServianshaveAustrianofficerswhoarejustascleverasourRussians;butwehavebeatenthemineverybattleforallthat。

RAINA(laughingandsittingdownagain)。Yes,Iwasonlyaprosaiclittlecoward。Oh,tothinkthatitwasalltrue——thatSergiusisjustassplendidandnobleashelooks——thattheworldisreallyagloriousworldforwomenwhocanseeitsgloryandmenwhocanactitsromance!Whathappiness!whatunspeakablefulfilment!Ah!(Shethrowsherselfonherkneesbesidehermotherandflingsherarmspassionatelyroundher。

TheyareinterruptedbytheentryofLouka,ahandsome,proudgirlinaprettyBulgarianpeasant’sdresswithdoubleapron,sodefiantthatherservilitytoRainaisalmostinsolent。SheisafraidofCatherine,butevenwithhergoesasfarasshedares。

Sheisjustnowexcitedliketheothers;butshehasnosympathyforRaina’srapturesandlookscontemptuouslyattheecstasiesofthetwobeforesheaddressesthem。)

LOUKA。Ifyouplease,madam,allthewindowsaretobeclosedandtheshuttersmadefast。Theysaytheremaybeshootinginthestreets。(RainaandCatherinerisetogether,alarmed。)TheServiansarebeingchasedrightbackthroughthepass;andtheysaytheymayrunintothetown。Ourcavalrywillbeafterthem;

andourpeoplewillbereadyforthemyoumaybesure,nowthattheyarerunningaway。(Shegoesoutonthebalconyandpullstheoutsideshuttersto;thenstepsbackintotheroom。)

RAINA。Iwishourpeoplewerenotsocruel。Whatgloryisthereinkillingwretchedfugitives?

CATHERINE(business-like,herhousekeepinginstinctsaroused)。

Imustseethateverythingismadesafedownstairs。

RAINA(toLouka)。LeavetheshutterssothatIcanjustclosethemifIhearanynoise。

CATHERINE(authoritatively,turningonherwaytothedoor)。

Oh,no,dear,youmustkeepthemfastened。Youwouldbesuretodropofftosleepandleavethemopen。Makethemfast,Louka。

LOUKA。Yes,madam。(Shefastensthem。)

RAINA。Don’tbeanxiousaboutme。ThemomentIhearashot,I

shallblowoutthecandlesandrollmyselfupinbedwithmyearswellcovered。

CATHERINE。Quitethewisestthingyoucando,mylove。

Good-night。

RAINA。Good-night。(Theykissoneanother,andRaina’semotioncomesbackforamoment。)Wishmejoyofthehappiestnightofmylife——ifonlytherearenofugitives。

CATHERINE。Gotobed,dear;anddon’tthinkofthem。(Shegoesout。)

LOUKA(secretly,toRaina)。Ifyouwouldliketheshuttersopen,justgivethemapushlikethis。(Shepushesthem:theyopen:shepullsthemtoagain。)Oneofthemoughttobeboltedatthebottom;butthebolt’sgone。

RAINA(withdignity,reprovingher)。Thanks,Louka;butwemustdowhatwearetold。(Loukamakesagrimace。)Good-night。

LOUKA(carelessly)。Good-night。(Shegoesout,swaggering。)

(Raina,leftalone,goestothechestofdrawers,andadorestheportraittherewithfeelingsthatarebeyondallexpression。Shedoesnotkissitorpressittoherbreast,orshewitanymarkofbodilyaffection;butshetakesitinherhandsandelevatesitlikeapriestess。)

RAINA(lookingupatthepicturewithworship。)Oh,Ishallneverbeunworthyofyouanymore,myhero——never,never,never。

(Shereplacesitreverently,andselectsanovelfromthelittlepileofbooks。Sheturnsovertheleavesdreamily;findsherpage;turnsthebookinsideoutatit;andthen,withahappysigh,getsintobedandpreparestoreadherselftosleep。Butbeforeabandoningherselftofiction,sheraiseshereyesoncemore,thinkingoftheblessedrealityandmurmurs)

Myhero!myhero!

(Adistantshotbreaksthequietofthenightoutside。Shestarts,listening;andtwomoreshots,muchnearer,follow,startlinghersothatshescramblesoutofbed,andhastilyblowsoutthecandleonthechestofdrawers。Then,puttingherfingersinherears,sherunstothedressing-tableandblowsoutthelightthere,andhurriesbacktobed。Theroomisnowindarkness:

nothingisvisiblebuttheglimmerofthelightinthepiercedballbeforetheimage,andthestarlightseenthroughtheslitsatthetopoftheshutters。Thefiringbreaksoutagain:thereisastartlingfusilladequitecloseathand。Whilstitisstillechoing,theshuttersdisappear,pulledopenfromwithout,andforaninstanttherectangleofsnowystarlightflashesoutwiththefigureofamaninblackuponit。Theshutterscloseimmediatelyandtheroomisdarkagain。Butthesilenceisnowbrokenbythesoundofpanting。

Thenthereisascrape;andtheflameofamatchisseeninthemiddleoftheroom。)

RAINA(crouchingonthebed)。Who’sthere?(Thematchisoutinstantly。)Who’sthere?Whoisthat?

AMAN’SVOICE(inthedarkness,subduedly,butthreateningly)。

Sh——sh!Don’tcalloutoryou’llbeshot。Begood;andnoharmwillhappentoyou。(Sheisheardleavingherbed,andmakingforthedoor。)Takecare,there’snouseintryingtorunaway。

Remember,ifyouraiseyourvoicemypistolwillgooff。

(Commandingly。)Strikealightandletmeseeyou。Doyouhear?

(Anothermomentofsilenceanddarkness。Thensheisheardretreatingtothedressing-table。Shelightsacandle,andthemysteryisatanend。Amanofabout35,inadeplorableplight,bespatteredwithmudandbloodandsnow,hisbeltandthestrapofhisrevolvercasekeepingtogetherthetornruinsofthebluecoatofaServianartilleryofficer。Asfarasthecandlelightandhisunwashed,unkemptconditionmakeitpossibletojudge,heisamanofmiddlingstatureandundistinguishedappearance,withstrongneckandshoulders,aroundish,obstinatelookingheadcoveredwithshortcrispbronzecurls,clearquickblueeyesandgoodbrowsandmouth,ahopelesslyprosaicnoselikethatofastrong-mindedbaby,trimsoldierlikecarriageandenergeticmanner,andwithallhiswitsabouthiminspiteofhisdesperatepredicament——evenwithasenseofhumorofit,without,however,theleastintentionoftriflingwithitorthrowingawayachance。HereckonsupwhathecanguessaboutRaina——herage,hersocialposition,hercharacter,theextenttowhichsheisfrightened——ataglance,andcontinues,morepolitelybutstillmostdeterminedly)Excusemydisturbingyou;

butyourecognisemyuniform——Servian。IfI’mcaughtIshallbekilled。(Determinedly。)Doyouunderstandthat?

RAINA。Yes。

MAN。Well,Idon’tintendtogetkilledifIcanhelpit。(Stillmoredeterminedly。)Doyouunderstandthat?(Helocksthedoorwithasnap。)

RAINA(disdainfully)。Isupposenot。(Shedrawsherselfupsuperbly,andlookshimstraightintheface,sayingwithemphasis)Somesoldiers,Iknow,areafraidofdeath。

MAN(withgrimgoodhumor)。Allofthem,dearlady,allofthem,believeme。Itisourdutytoliveaslongaswecan,andkillasmanyoftheenemyaswecan。Nowifyouraiseanalarm——

RAINA(cuttinghimshort)。Youwillshootme。HowdoyouknowthatIamafraidtodie?

MAN(cunningly)。Ah;butsupposeIdon’tshootyou,whatwillhappenthen?Why,alotofyourcavalry——thegreatestblackguardsinyourarmy——willburstintothisprettyroomofyoursandslaughtermeherelikeapig;forI’llfightlikeademon:theyshan’tgetmeintothestreettoamusethemselveswith:Iknowwhattheyare。Areyoupreparedtoreceivethatsortofcompanyinyourpresentundress?(Raina,suddenlyconsciousofhernightgown,instinctivelyshrinksandgathersitmorecloselyabouther。Hewatchesher,andadds,pitilessly)

It’sratherscanty,eh?(Sheturnstotheottoman。Heraiseshispistolinstantly,andcries)Stop!(Shestops。)Whereareyougoing?

RAINA(withdignifiedpatience)。Onlytogetmycloak。

MAN(dartingtotheottomanandsnatchingthecloak)。Agoodidea。No:I’llkeepthecloak:andyouwilltakecarethatnobodycomesinandseesyouwithoutit。Thisisabetterweaponthanthepistol。(Hethrowsthepistoldownontheottoman。)

RAINA(revolted)。Itisnottheweaponofagentleman!

MAN。It’sgoodenoughforamanwithonlyyoutostandbetweenhimanddeath。(Astheylookatoneanotherforamoment,RainahardlyabletobelievethatevenaServianofficercanbesocynicallyandselfishlyunchivalrous,theyarestartledbyasharpfusilladeinthestreet。Thechillofimminentdeathhushestheman’svoiceasheadds)Doyouhear?Ifyouaregoingtobringthosescoundrelsinonmeyoushallreceivethemasyouare。(Rainameetshiseyewithunflinchingscorn。Suddenlyhestarts,listening。Thereisastepoutside。Someonetriesthedoor,andthenknockshurriedlyandurgentlyatit。Rainalooksattheman,breathless。Hethrowsuphisheadwiththegestureofamanwhoseesthatitisalloverwithhim,and,droppingthemannerwhichhehasbeenassumingtointimidateher,flingsthecloaktoher,exclaiming,sincerelyandkindly)Nouse:I’mdonefor。Quick!wrapyourselfup:they’recoming!

RAINA(catchingthecloakeagerly)。Oh,thankyou。(Shewrapsherselfupwithgreatrelief。Hedrawshissabreandturnstothedoor,waiting。)

LOUKA(outside,knocking)。Mylady,mylady!Getup,quick,andopenthedoor。

RAINA(anxiously)。Whatwillyoudo?

MAN(grimly)。Nevermind。Keepoutoftheway。Itwillnotlastlong。

RAINA(impulsively)。I’llhelpyou。Hideyourself,oh,hideyourself,quick,behindthecurtain。(Sheseizeshimbyatornstripofhissleeve,andpullshimtowardsthewindow。)

MAN(yieldingtoher)。Thereisjusthalfachance,ifyoukeepyourhead。Remember:ninesoldiersoutoftenarebornfools。

(Hehidesbehindthecurtain,lookingoutforamomenttosay,finally)Iftheyfindme,Ipromiseyouafight——adevilofafight!(Hedisappears。Rainatakesofthecloakandthrowsitacrossthefootofthebed。Thenwithasleepy,disturbedair,sheopensthedoor。Loukaentersexcitedly。)

LOUKA。Amanhasbeenseenclimbingupthewater-pipetoyourbalcony——aServian。Thesoldierswanttosearchforhim;andtheyaresowildanddrunkandfurious。Myladysaysyouaretodressatonce。

RAINA(asifannoyedatbeingdisturbed)。Theyshallnotsearchhere。Whyhavetheybeenletin?

CATHERINE(cominginhastily)。Raina,darling,areyousafe?

Haveyouseenanyoneorheardanything?

RAINA。Iheardtheshooting。Surelythesoldierswillnotdarecomeinhere?

CATHERINE。IhavefoundaRussianofficer,thankHeaven:heknowsSergius。(Speakingthroughthedoortosomeoneoutside。)

Sir,willyoucomeinnow!Mydaughterisready。

(AyoungRussianofficer,inBulgarianuniform,enters,swordinhand。)

THEOFFICER。(withsoft,felinepolitenessandstiffmilitarycarriage)。Goodevening,graciouslady;Iamsorrytointrude,butthereisafugitivehidingonthebalcony。Willyouandthegraciousladyyourmotherpleasetowithdrawwhilstwesearch?

RAINA(petulantly)。Nonsense,sir,youcanseethatthereisnooneonthebalcony。(Shethrowstheshutterswideopenandstandswithherbacktothecurtainwherethemanishidden,pointingtothemoonlitbalcony。Acoupleofshotsarefiredrightunderthewindow,andabulletshatterstheglassoppositeRaina,whowinksandgasps,butstandsherground,whilstCatherinescreams,andtheofficerrushestothebalcony。)

THEOFFICER。(onthebalcony,shoutingsavagelydowntothestreet)。Ceasefiringthere,youfools:doyouhear?Ceasefiring,damnyou。(Heglaresdownforamoment;thenturnstoRaina,tryingtoresumehispolitemanner。)Couldanyonehavegotinwithoutyourknowledge?Wereyouasleep?

RAINA。No,Ihavenotbeentobed。

THEOFFICER。(impatiently,comingbackintotheroom)。YourneighbourshavetheirheadssofullofrunawayServiansthattheyseethemeverywhere。(Politely。)Graciouslady,athousandpardons。Good-night。(Militarybow,whichRainareturnscoldly。

AnothertoCatherine,whofollowshimout。Rainaclosestheshutters。SheturnsandseesLouka,whohasbeenwatchingthescenecuriously。)

RAINA。Don’tleavemymother,Louka,whilstthesoldiersarehere。(LoukaglancesatRaina,attheottoman,atthecurtain;

thenpursesherlipssecretively,laughstoherself,andgoesout。Rainafollowshertothedoor,shutsitbehindherwithaslam,andlocksitviolently。Themanimmediatelystepsoutfrombehindthecurtain,sheathinghissabre,anddismissingthedangerfromhismindinabusinesslikeway。)

MAN。Anarrowshave;butamissisasgoodasamile。Dearyounglady,yourservantuntildeath。IwishforyoursakeIhadjoinedtheBulgarianarmyinsteadoftheServian。IamnotanativeServian。

RAINA(haughtily)。No,youareoneoftheAustrianswhosettheServiansontorobusofournationalliberty,andwhoofficertheirarmyforthem。Wehatethem!

MAN。Austrian!notI。Don’thateme,dearyounglady。IamonlyaSwiss,fightingmerelyasaprofessionalsoldier。IjoinedServiabecauseitwasnearesttome。Begenerous:you’vebeatenushollow。

RAINA。HaveInotbeengenerous?

MAN。Noble!——heroic!ButI’mnotsavedyet。Thisparticularrushwillsoonpassthrough;butthepursuitwillgoonallnightbyfitsandstarts。Imusttakemychancetogetoffduringaquietinterval。Youdon’tmindmywaitingjustaminuteortwo,doyou?

RAINA。Oh,no:Iamsorryyouwillhavetogointodangeragain。

(Motioningtowardsottoman。)Won’tyousit——(Shebreaksoffwithanirrepressiblecryofalarmasshecatchessightofthepistol。Theman,allnerves,shieslikeafrightenedhorse。)

MAN(irritably)。Don’tfrightenmelikethat。Whatisit?

RAINA。Yourpistol!Itwasstaringthatofficerinthefaceallthetime。Whatanescape!

MAN(vexedatbeingunnecessarilyterrified)。Oh,isthatall?

RAINA(staringathimrathersuperciliously,conceivingapoorerandpooreropinionofhim,andfeelingproportionatelymoreandmoreathereasewithhim)。IamsorryIfrightenedyou。(Shetakesupthepistolandhandsittohim。)Praytakeittoprotectyourselfagainstme。

MAN(grinningwearilyatthesarcasmashetakesthepistol)。

Nouse,dearyounglady:there’snothinginit。It’snotloaded。

(Hemakesagrimaceatit,anddropsitdisparaginglyintohisrevolvercase。)

RAINA。Loaditbyallmeans。

MAN。I’venoammunition。Whatusearecartridgesinbattle?I

alwayscarrychocolateinstead;andIfinishedthelastcakeofthatyesterday。

RAINA(outragedinhermostcherishedidealsofmanhood)。

Chocolate!Doyoustuffyourpocketswithsweets——likeaschoolboy——eveninthefield?

MAN。Yes。Isn’titcontemptible?

(Rainastaresathim,unabletoutterherfeelings。Thenshesailsawayscornfullytothechestofdrawers,andreturnswiththeboxofconfectioneryinherhand。)

RAINA。Allowme。IamsorryIhaveeatenthemallexceptthese。

(Sheoffershimthebox。)

MAN(ravenously)。You’reanangel!(Hegobblesthecomfits。)

Creams!Delicious!(Helooksanxiouslytoseewhetherthereareanymore。Therearenone。Heacceptstheinevitablewithpatheticgoodhumor,andsays,withgratefulemotion)Blessyou,dearlady。Youcanalwaystellanoldsoldierbytheinsideofhisholstersandcartridgeboxes。Theyoungonescarrypistolsandcartridges;theoldones,grub。Thankyou。(Hehandsbackthebox。Shesnatchesitcontemptuouslyfromhimandthrowsitaway。Thisimpatientactionissosuddenthatheshiesagain。)

Ugh!Don’tdothingssosuddenly,graciouslady。Don’trevengeyourselfbecauseIfrightenedyoujustnow。

RAINA(superbly)。Frightenme!Doyouknow,sir,thatthoughI

amonlyawoman,IthinkIamatheartasbraveasyou。

MAN。Ishouldthinkso。Youhaven’tbeenunderfireforthreedaysasIhave。Icanstandtwodayswithoutshewingitmuch;

butnomancanstandthreedays:I’masnervousasamouse。(Hesitsdownontheottoman,andtakeshisheadinhishands。)

Wouldyouliketoseemecry?

RAINA(quickly)。No。

MAN。Ifyouwould,allyouhavetodoistoscoldmejustasifIwerealittleboyandyoumynurse。IfIwereincampnowthey’dplayallsortsoftricksonme。

RAINA(alittlemoved)。I’msorry。Iwon’tscoldyou。(Touchedbythesympathyinhertone,heraiseshisheadandlooksgratefullyather:sheimmediatelydrawshackandsaysstiffly)

Youmustexcuseme:oursoldiersarenotlikethat。(Shemovesawayfromtheottoman。)

MAN。Oh,yes,theyare。Thereareonlytwosortsofsoldiers:

oldonesandyoungones。I’veservedfourteenyears:halfofyourfellowsneversmeltpowderbefore。Why,howisitthatyou’vejustbeatenus?Sheerignoranceoftheartofwar,nothingelse。(Indignantly。)Ineversawanythingsounprofessional。

RAINA(ironically)。Oh,wasitunprofessionaltobeatyou?

MAN。Well,come,isitprofessionaltothrowaregimentofcavalryonabatteryofmachineguns,withthedeadcertaintythatifthegunsgooffnotahorseormanwillevergetwithinfiftyyardsofthefire?Icouldn’tbelievemyeyeswhenIsawit。

RAINA(eagerlyturningtohim,asallherenthusiasmandherdreamofgloryrushbackonher)。Didyouseethegreatcavalrycharge?Oh,tellmeaboutit。Describeittome。

MAN。Youneversawacavalrycharge,didyou?

RAINA。HowcouldI?

MAN。Ah,perhapsnot——ofcourse。Well,it’safunnysight。It’slikeslingingahandfulofpeasagainstawindowpane:firstonecomes;thentwoorthreeclosebehindhim;andthenalltherestinalump。

RAINA(hereyesdilatingassheraisesherclaspedhandsecstatically)。Yes,firstOne!——thebravestofthebrave!

MAN(prosaically)。Hm!youshouldseethepoordevilpullingathishorse。

RAINA。Whyshouldhepullathishorse?

MAN(impatientofsostupidaquestion)。It’srunningawaywithhim,ofcourse:doyousupposethefellowwantstogettherebeforetheothersandbekilled?Thentheyallcome。Youcantelltheyoungonesbytheirwildnessandtheirslashing。Theoldonescomebunchedupunderthenumberoneguard:theyknowthattheyaremereprojectiles,andthatit’snousetryingtofight。Thewoundsaremostlybrokenknees,fromthehorsescannoningtogether。

RAINA。Ugh!ButIdon’tbelievethefirstmanisacoward。I

believeheisahero!

MAN(goodhumoredly)。That’swhatyou’dhavesaidifyou’dseenthefirstmaninthechargeto-day。

RAINA(breathless)。Ah,Iknewit!Tellme——tellmeabouthim。

MAN。Hediditlikeanoperatictenor——aregularhandsomefellow,withflashingeyesandlovelymoustache,shoutingawar-cryandcharginglikeDonQuixoteatthewindmills。Wenearlyburstwithlaughterathim;butwhenthesergeantranupaswhiteasasheet,andtoldusthey’dsentusthewrongcartridges,andthatwecouldn’tfireashotforthenexttenminutes,welaughedattheothersideofourmouths。Ineverfeltsosickinmylife,thoughI’vebeeninoneortwoverytightplaces。AndIhadn’tevenarevolvercartridge——nothingbutchocolate。We’dnobayonets——nothing。Ofcourse,theyjustcutustobits。AndtherewasDonQuixoteflourishinglikeadrummajor,thinkinghe’ddonethecleverestthingeverknown,whereasheoughttobecourtmartialledforit。Ofallthefoolseverletlooseonafieldofbattle,thatmanmustbetheverymaddest。Heandhisregimentsimplycommittedsuicide——onlythepistolmissedfire,that’sall。

RAINA(deeplywounded,butsteadfastlyloyaltoherideals)。

Indeed!Wouldyouknowhimagainifyousawhim?

MAN。ShallIeverforgethim。(Sheagaingoestothechestofdrawers。Hewatchesherwithavaguehopethatshemayhavesomethingelseforhimtoeat。Shetakestheportraitfromitsstandandbringsittohim。)

RAINA。Thatisaphotographofthegentleman——thepatriotandhero——towhomIambetrothed。

MAN(lookingatit)。I’mreallyverysorry。(Lookingather。)

Wasitfairtoleadmeon?(Helooksattheportraitagain。)

Yes:that’shim:notadoubtofit。(Hestiflesalaugh。)

RAINA(quickly)。Whydoyoulaugh?

MAN(shamefacedly,butstillgreatlytickled)。Ididn’tlaugh,Iassureyou。AtleastIdidn’tmeanto。ButwhenIthinkofhimchargingthewindmillsandthinkinghewasdoingthefinestthing——(chokeswithsuppressedlaughter)。

RAINA(sternly)。Givemebacktheportrait,sir。

MAN(withsincereremorse)。Ofcourse。Certainly。I’mreallyverysorry。(Shedeliberatelykissesit,andlookshimstraightintheface,beforereturningtothechestofdrawerstoreplaceit。Hefollowsher,apologizing。)PerhapsI’mquitewrong,youknow:nodoubtIam。Mostlikelyhehadgotwindofthecartridgebusinesssomehow,andknewitwasasafejob。

RAINA。Thatistosay,hewasapretenderandacoward!Youdidnotdaresaythatbefore。

MAN(withacomicgestureofdespair)。It’snouse,dearlady:

Ican’tmakeyouseeitfromtheprofessionalpointofview。(Asheturnsawaytogetbacktotheottoman,thefiringbeginsagaininthedistance。)

RAINA(sternly,assheseeshimlisteningtotheshots)。Somuchthebetterforyou。

MAN(turning)。How?

RAINA。Youaremyenemy;andyouareatmymercy。WhatwouldI

doifIwereaprofessionalsoldier?

MAN。Ah,true,dearyounglady:you’realwaysright。Iknowhowgoodyouhavebeentome:tomylasthourIshallrememberthosethreechocolatecreams。Itwasunsoldierly;butitwasangelic。

RAINA(coldly)。Thankyou。AndnowIwilldoasoldierlything。

Youcannotstayhereafterwhatyouhavejustsaidaboutmyfuturehusband;butIwillgooutonthebalconyandseewhetheritissafeforyoutoclimbdownintothestreet。(Sheturnstothewindow。)

MAN(changingcountenance)。Downthatwaterpipe!Stop!Wait!I

can’t!Idaren’t!Theverythoughtofitmakesmegiddy。Icameupitfastenoughwithdeathbehindme。Buttofaceitnowincoldblood!——(Hesinksontheottoman。)It’snouse:Igiveup:

I’mbeaten。Givethealarm。(Hedropshisheadinhishandsinthedeepestdejection。)

RAINA(disarmedbypity)。Come,don’tbedisheartened。(Shestoopsoverhimalmostmaternally:heshakeshishead。)Oh,youareaverypoorsoldier——achocolatecreamsoldier。Come,cheerup:ittakeslesscouragetoclimbdownthantofacecapture——rememberthat。

MAN(dreamily,lulledbyhervoice)。No,captureonlymeansdeath;anddeathissleep——oh,sleep,sleep,sleep,undisturbedsleep!Climbingdownthepipemeansdoingsomething——exertingmyself——thinking!Deathtentimesoverfirst。

RAINA(softlyandwonderingly,catchingtherhythmofhisweariness)。Areyousosleepyasthat?

MAN。I’venothadtwohours’undisturbedsleepsincethewarbegan。I’monthestaff:youdon’tknowwhatthatmeans。I

haven’tclosedmyeyesforthirty-sixhours。

RAINA(desperately)。ButwhatamItodowithyou。

MAN(staggeringup)。OfcourseImustdosomething。(Heshakeshimself;pullshimselftogether;andspeakswithralliedvigourandcourage。)Yousee,sleepornosleep,hungerornohunger,tiredornottired,youcanalwaysdoathingwhenyouknowitmustbedone。Well,thatpipemustbegotdown——(Hehitshimselfonthechest,andadds)——Doyouhearthat,youchocolatecreamsoldier?(Heturnstothewindow。)

RAINA(anxiously)。Butifyoufall?

MAN。Ishallsleepasifthestoneswereafeatherbed。

Good-bye。(Hemakesboldlyforthewindow,andhishandisontheshutterwhenthereisaterribleburstoffiringinthestreetbeneath。)

RAINA(rushingtohim)。Stop!(Shecatcheshimbytheshoulder,andturnshimquiteround。)They’llkillyou。

MAN(coolly,butattentively)。Nevermind:thissortofthingisallinmyday’swork。I’mboundtotakemychance。

(Decisively。)NowdowhatItellyou。Putoutthecandles,sothattheyshan’tseethelightwhenIopentheshutters。Andkeepawayfromthewindow,whateveryoudo。Iftheyseeme,they’resuretohaveashotatme。

RAINA(clingingtohim)。They’resuretoseeyou:it’sbrightmoonlight。I’llsaveyou——oh,howcanyoubesoindifferent?Youwantmetosaveyou,don’tyou?

MAN。Ireallydon’twanttobetroublesome。(Sheshakeshiminherimpatience。)Iamnotindifferent,dearyounglady,Iassureyou。Buthowisittobedone?

RAINA。Comeawayfromthewindow——please。(Shecoaxeshimbacktothemiddleoftheroom。Hesubmitshumbly。Shereleaseshim,andaddresseshimpatronizingly。)Nowlisten。Youmusttrusttoourhospitality。Youdonotyetknowinwhosehouseyouare。I

amaPetkoff。

MAN。What’sthat?

RAINA(ratherindignantly)。ImeanthatIbelongtothefamilyofthePetkoffs,therichestandbestknowninourcountry。

MAN。Oh,yes,ofcourse。Ibegyourpardon。ThePetkoffs,tobesure。Howstupidofme!

RAINA。Youknowyouneverheardofthemuntilthisminute。Howcanyoustooptopretend?

MAN。Forgiveme:I’mtootiredtothink;andthechangeofsubjectwastoomuchforme。Don’tscoldme。

RAINA。Iforgot。Itmightmakeyoucry。(Henods,quiteseriously。Shepoutsandthenresumesherpatronizingtone。)I

musttellyouthatmyfatherholdsthehighestcommandofanyBulgarianinourarmy。Heis(proudly)aMajor。

MAN(pretendingtobedeeplyimpressed)。AMajor!Blessme!

Thinkofthat!

RAINA。Youshewedgreatignoranceinthinkingthatitwasnecessarytoclimbuptothebalcony,becauseoursistheonlyprivatehousethathastworowsofwindows。Thereisaflightofstairsinsidetogetupanddownby。

MAN。Stairs!Howgrand!Youliveingreatluxuryindeed,dearyounglady。

RAINA。Doyouknowwhatalibraryis?

MAN。Alibrary?Aroomfulofbooks。

RAINA。Yes,wehaveone,theonlyoneinBulgaria。

MAN。Actuallyareallibrary!Ishouldliketoseethat。

RAINA(affectedly)。ItellyouthesethingstoshewyouthatyouarenotinthehouseofignorantcountryfolkwhowouldkillyouthemomenttheysawyourServianuniform,butamongcivilizedpeople。WegotoBucharesteveryyearfortheoperaseason;andIhavespentawholemonthinVienna。

MAN。Isawthat,dearyounglady。Isawatoncethatyouknewtheworld。

RAINA。HaveyoueverseentheoperaofErnani?

MAN。Isthattheonewiththedevilinitinredvelvet,andasoldier’schorus?

RAINA(contemptuously)。No!

MAN(stiflingaheavysighofweariness)。ThenIdon’tknowit。

RAINA。IthoughtyoumighthaverememberedthegreatscenewhereErnani,flyingfromhisfoesjustasyouaretonight,takesrefugeinthecastleofhisbitterestenemy,anoldCastiliannoble。Thenoblerefusestogivehimup。Hisguestissacredtohim。

MAN(quicklywakingupalittle)。Haveyourpeoplegotthatnotion?

RAINA(withdignity)。MymotherandIcanunderstandthatnotion,asyoucallit。Andifinsteadofthreateningmewithyourpistolasyoudid,youhadsimplythrownyourselfasafugitiveonourhospitality,youwouldhavebeenassafeasinyourfather’shouse。

MAN。Quitesure?

RAINA(turningherbackonhimindisgust。)Oh,itisuselesstotryandmakeyouunderstand。

MAN。Don’tbeangry:youseehowawkwarditwouldbeformeiftherewasanymistake。Myfatherisaveryhospitableman:hekeepssixhotels;butIcouldn’ttrusthimasfarasthat。WhataboutYOURfather?

RAINA。HeisawayatSlivnitzafightingforhiscountry。I

answerforyoursafety。Thereismyhandinpledgeofit。Willthatreassureyou?(Sheoffershimherhand。)

MAN(lookingdubiouslyathisownhand)。Betternottouchmyhand,dearyounglady。Imusthaveawashfirst。

RAINA(touched)。Thatisveryniceofyou。Iseethatyouareagentleman。

MAN(puzzled)。Eh?

RAINA。YoumustnotthinkIamsurprised。Bulgariansofreallygoodstanding——peopleinOURposition——washtheirhandsnearlyeveryday。ButIappreciateyourdelicacy。Youmaytakemyhand。

(Sheoffersitagain。)

MAN(kissingitwithhishandsbehindhisback)。Thanks,graciousyounglady:Ifeelsafeatlast。Andnowwouldyoumindbreakingthenewstoyourmother?Ihadbetternotstayheresecretlylongerthanisnecessary。

RAINA。IfyouwillbesogoodastokeepperfectlystillwhilstIamaway。

MAN。Certainly。(Hesitsdownontheottoman。)

(Rainagoestothebedandwrapsherselfinthefurcloak。Hiseyesclose。Shegoestothedoor,butonturningforalastlookathim,seesthatheisdroppingoftosleep。)

RAINA(atthedoor)。Youarenotgoingasleep,areyou?

(Hemurmursinarticulately:sherunstohimandshakeshim。)

Doyouhear?Wakeup:youarefallingasleep。

MAN。Eh?Fallingaslee——?Oh,no,nottheleastintheworld:Iwasonlythinking。It’sallright:I’mwideawake。

RAINA(severely)。WillyoupleasestandupwhileIamaway。(Herisesreluctantly。)Allthetime,mind。

MAN(standingunsteadily)。Certainly——certainly:youmaydependonme。

(Rainalooksdoubtfullyathim。Hesmilesfoolishly。Shegoesreluctantly,turningagainatthedoor,andalmostcatchinghimintheactofyawning。Shegoesout。)

MAN(drowsily)。Sleep,sleep,sleep,sleep,slee——(Tbewordstrailofintoamurmur。Hewakesagainwithashockonthepointoffalling。)WhereamI?That’swhatIwanttoknow:whereamI?Mustkeepawake。Nothingkeepsmeawakeexceptdanger——rememberthat——(intently)

danger,danger,danger,dan——Where’sdanger?Mustfindit。(Hestartsofvaguelyaroundtheroominsearchofit。)WhatamIlookingfor?Sleep——danger——don’tknow。

(Hestumblesagainstthebed。)Ah,yes:nowIknow。Allrightnow。I’mtogotobed,butnottosleep——besurenottosleep——becauseofdanger。Nottoliedown,either,onlysitdown。(Hesitsonthebed。Ablissfulexpressioncomesintohisface。)Ah!(Withahappysighhesinksbackatfulllength;liftshisbootsintothebedwithafinaleffort;andfallsfastasleepinstantly。)

(Catherinecomesin,followedbyRaina。)

RAINA(lookingattheottoman)。He’sgone!Ilefthimhere。

CATHERINE,Here!Thenhemusthaveclimbeddownfromthe——

RAINA(seeinghim)。Oh!(Shepoints。)

CATHERINE(scandalized)。Well!(Shestridestotheleftsideofthebed,Rainafollowingandstandingoppositeherontheright。)He’sfastasleep。Thebrute!

RAINA(anxiously)。Sh!

CATHERINE(shakinghim)。Sir!(Shakinghimagain,harder。)Sir!!(Vehementlyshakingverybard。)Sir!!!

RAINA(catchingherarm)。Don’t,mamma:thepoordeariswornout。Lethimsleep。

CATHERINE(lettinghimgoandturningamazedtoRaina)。

Thepoordear!Raina!!!(Shelookssternlyatherdaughter。Themansleepsprofoundly。)

ACTII

ThesixthofMarch,1886。InthegardenofmajorPetkoff’shouse。Itisafinespringmorning;andthegardenlooksfreshandpretty。Beyondthepalingthetopsofacoupleofminaretscanheseen,shewingthatthereitavalleythere,withthelittletowninit。AfewmilesfurthertheBalkanmountainsriseandshutintheview。Withinthegardenthesideofthehouseisseenontheright,withagardendoorreachedbyalittleflightofsteps。Ontheleftthestableyard,withitsgateway,encroachesonthegarden。Therearefruitbushesalongthepalingandhouse,coveredwithwashinghungouttodry。Apathrunsbythehouse,andrisesbytwostepsatthecornerwhereitturnsoutoftherightalongthefront。Inthemiddleasmalltable,withtwobentwoodchairsatit,islaidforbreakfastwithTurkishcoffeepot,cups,rolls,etc。;butthecupshavebeenusedandthebreadbroken。Thereisawoodengardenseatagainstthewallontheleft。

Louka,smokingacigaret,isstandingbetweenthetableandthehouse,turningherbackwithangrydisdainonaman-servantwhoislecturingher。Heisamiddle-agedmanofcooltemperamentandlowbutclearandkeenintelligence,withthecomplacencyoftheservantwhovalueshimselfonhisrankinservility,andtheimperturbabilityoftheaccuratecalculatorwhohasnoillusions。HewearsawhiteBulgariancostumejacketwithdecoratedharder,sash,wideknickerbockers,anddecoratedgaiters。Hisheadisshaveduptothecrown,givinghimahighJapaneseforehead。HisnameisNicola。

NICOLA。Bewarnedintime,Louka:mendyourmanners。Iknowthemistress。Sheissograndthatsheneverdreamsthatanyservantcoulddaretobedisrespectfultoher;butifsheoncesuspectsthatyouaredefyingher,outyougo。

LOUKA。Idodefyher。Iwilldefyher。WhatdoIcareforher?

NICOLA。Ifyouquarrelwiththefamily,Inevercanmarryyou。

It’sthesameasifyouquarrelledwithme!

LOUKA。Youtakeherpartagainstme,doyou?

NICOLA(sedately)。Ishallalwaysbedependentonthegoodwillofthefamily。WhenIleavetheirserviceandstartashopinSofea,theircustomwillbehalfmycapital:theirbadwordwouldruinme。

LOUKA。Youhavenospirit。Ishouldliketoseethemdaresayawordagainstme!

NICOLA(pityingly)。Ishouldhaveexpectedmoresensefromyou,Louka。Butyou’reyoung,you’reyoung!

LOUKA。Yes;andyoulikemethebetterforit,don’tyou?ButI

knowsomefamilysecretstheywouldn’tcaretohavetold,youngasIam。Letthemquarrelwithmeiftheydare!

NICOLA(withcompassionatesuperiority)。Doyouknowwhattheywoulddoiftheyheardyoutalklikethat?

LOUKA。Whatcouldtheydo?

NICOLA。Dischargeyouforuntruthfulness。Whowouldbelieveanystoriesyoutoldafterthat?Whowouldgiveyouanothersituation?Whointhishousewoulddarebeseenspeakingtoyoueveragain?Howlongwouldyourfatherbeleftonhislittlefarm?(Sheimpatientlythrowsawaytheendofhercigaret,andstampsonit。)Child,youdon’tknowthepowersuchhighpeoplehaveoverthelikeofyouandmewhenwetrytoriseoutofourpovertyagainstthem。(Hegoesclosetoherandlowershisvoice。)Lookatme,tenyearsintheirservice。DoyouthinkI

knownosecrets?Iknowthingsaboutthemistressthatshewouldn’thavethemasterknowforathousandlevas。Iknowthingsabouthimthatshewouldn’tlethimhearthelastofforsixmonthsifIblabbedthemtoher。IknowthingsaboutRainathatwouldbreakoffhermatchwithSergiusif——

LOUKA(turningonhimquickly)。Howdoyouknow?Inevertoldyou!

NICOLA(openinghiseyescunningly)。Sothat’syourlittlesecret,isit?Ithoughtitmightbesomethinglikethat。Well,youtakemyadvice,andberespectful;andmakethemistressfeelthatnomatterwhatyouknowordon’tknow,theycandependonyoutoholdyourtongueandservethefamilyfaithfully。

That’swhattheylike;andthat’showyou’llmakemostoutofthem。

LOUKA(withsearchingscorn)。Youhavethesoulofaservant,Nicola。

NICOLA(complacently)。Yes:that’sthesecretofsuccessinservice。

(Aloudknockingwithawhiphandleonawoodendoor,outsideontheleft,isheard。)

MALEVOICEOUTSIDE。Hollo!Hollothere!Nicola!

LOUKA。Master!backfromthewar!

NICOLA(quickly)。Mywordforit,Louka,thewar’sover。Offwithyouandgetsomefreshcoffee。(Herunsoutintothestableyard。)

LOUKA(assheputsthecoffeepotandthecupsuponthetray,andcarriesitintothehouse)。You’llneverputthesoulofaservantintome。

(MajorPetkoffcomesfromthestableyard,followedbyNicola。Heisacheerful,excitable,insignificant,unpolishedmanofabout50,naturallyunambitiousexceptastohisincomeandhisimportanceinlocalsociety,butjustnowgreatlypleasedwiththemilitaryrankwhichthewarhasthrustonhimasamanofconsequenceinhistown。ThefeverofpluckypatriotismwhichtheServianattackrousedinalltheBulgarianshaspulledhimthroughthewar;butheisobviouslygladtobehomeagain。)

PETKOFF(pointingtothetablewithhiswhip)。Breakfastouthere,eh?

NICOLA。Yes,sir。ThemistressandMissRainahavejustgonein。